I mentioned Tomoe River paper in my previous stationery post. Notebooks with Tomoe River paper are known to be on the pricier side, so when I found some A4 sheets for a reasonable price, I decided that I'd make my own A5 notebooks with less page count.
On the far right, there's the chonker Opus 88 Omar in yellow. I had Opus 88 eyedropper pens on my wishlist for a while now, because I was always sad to not be able to bring a fountain pen on planes without worrying about their ink exploding. It's still possible for this pen to explode ink, but it has a feature to shut off the ink from going into the feed (I think it's called japanese-style eyedropper), which is very appealing! I was gunning for the clear demonstrator (it wasn't on sale haha) but I am now kind of enamoured by how Omar in yellow looks like the fat baby of my TWSBI Eco clear x Lamy Safari yellow. It's a really fat pen...I read reviews about how it can cause hand fatigue, especially for small hands. I am also a small handed person but I suppose I'm generally not writing for hours straight.
The barrel of yellow Omar is semi translucent with a yellow/green tinge, but you can see the ink levels and ink colour within. Right now I have Lamy turmaline inside. I chose a M nib because you gotta use up the ink!!! It writes very smoothly. It does take more turns to unscrew the cap, so it's not a quick reactive pen...
The Tomoe River paper I chose is 52gsm (100 sheets, 200 pages), it's significantly thinner than my Midori MD notebook diary (175 pages). Practically half the width?
I took 30 A4 sheets and made 3 signatures with 10 A4 sheets each. I also folded some cardstock I had for the covers. Purist bookbinders will scoff at how I'm likely folding against the paper grain (I always do, TBH, ziney DIY forever!). I didn't want to deal with spine width, so it's just exposed.
I was over-confident about my signature sewing abilities...after making many HWA books I thought I was a-okay, but I forgot that I didn't have arms/bands to attach the signatures to, so my book block was super loose and I had to hack it together with knots. It's riddled with rookie mistakes that could've been avoided if I just used my brain to think instead of relying on my previous auto-pilot program. Thus, the block is not as tight/compact/neat/aligned as I would want. It's kind of embarrassing, but nobody will really see it anyway.
To cover my shame I used some washi tape on the spine and on the covers. It's B-side label washi tape that I think someone gifted to me long ago. Maybe due to age, but I find that the glue on this tape transferred to the tape underneath (on the roll) so overall it's not sticky in the right way?
At the end of the day, what mattered to me was having something lightweight and that laid flat. When folded to A5, this means this notebook has about 120 pages to write on (front/back).
Pens do write smoothly on this paper. As expected, there are longer drying times and susceptibility to smudging. Although the paper is thin, I don't personally mind the show through.
I still have 70 A4 sheets left, which translates to 560 A5 pages to write on in the future.
Mostly by accident, I found out that Borden and Riley's #37 Boris Marker layout paper is also a potential choice for fountain pens users. These are not particularly great photos for colour accuracy, but I don't see any bleed through at all.
Makes sense since it was made for markers! It has more tooth if people like feedback. I had a bunch from my traditional inking/drawing days. I still have so many pads of paris bleedproof paper...
Price wise you do get more bang for your buck with Tomoe River than artist supplies...ahhhh
Today's music post: Evig Pint by Kaizers Orchestra. My friend Mike introduced this band to me a long time ago. I'm actually listening to their music for the first time with new earphones and it feels like a whole new experience...!