The Way of the House Husband 1-4 by Kousuke Oono (2019-ongoing)
This is a comic series about a legendary guy who quits yakuza to become a house husband. All the yakuza-adjacent men are very over the top and intense. Detailed well drawn funny comics...read extremely fast. It feels like a pity that it's so well drawn (nearly every panel has an amazingly detailed background that doesn't distract?!) but as a reader you move through the comedic panels so quickly that you don't really stop to appreciate the labour that goes into the visual part. The weird side cat comics were very amusing to me, haha. There's a part where there's a roach that climbs onto Miku's anime figure, and I felt that really hard.
I watched the CBC gem, a while back. I wasn't sure if the book was going to overlap the CBC gem documentary (?), but it doesn't. The CBC gem feels like it's exploring blackness and vulnerability in a different structure/timeline. The book itself is paced across a year in Toronto, presenting life stories about specific black individuals or communities in Canada. I appreciated more knowledge about policing and incarceration in schools and immigration system. It was written in a way that felt more personal and human. A succinct read that can be done in a few hours, but probably longer if you wanted to take notes and process and along the way. Ultimately I think reading this will help me develop a stronger opinion on several racial and judicial topics at a government level.
Witch Hat Atelier 1-6 by Kamome Shirahama (2019-ongoing)
A comic series about a girl who wants to become a witch! Ummmmmmm so cute wholesome beautiful relatable even if they're all children...I appreciate that these kids are feeling all their feels in a vulnerable and raw way and are allowed to do that without any adults hushing them. Also ridiculously beautiful drawn! I'll be following the series because there are many mysteries to be uncovered! I think this series would be great for many ages...
What an interesting animation...? I wasn't really into the actual plot or characters at all (there isn't much plot or depth), but it did some very interesting and exaggerated animation shots and angles. I've read that it's a case of animation for the sake of animation (there's a lot of happening on screen, everything moves!) so it is impressive, from a technical point of view, how much effort and attention to detail was put into the movie. The character designs were really something else, as in, many of the non-human races weren't conventionally attractive and took a while for my eyeballs to get used to. Some of them reminded me of Macross' Zentradi. IMO the movie itself was squarely male-gazey, which is simply not my cup of tea, though it could be fine for others. I'm a bit shocked at how it ended (that font!) since I thought it was a ending that the in-movie broadcasting system made, but it was...not haha.
A memoir by Austin Channing Brown, a black woman who was given the name Austin for both familial reasons and broader systemic ones. I knew I was in for a good ride when the first chapter was titled "White people are exhausting" haha. Although the author calls out whiteness prominently in the book, I felt that it was also essential for non-black POC like myself to check on their own anti-black biases and behaviours. The book has many truth bombs that were familiar and validating to me (from my own observations and experiences with white people). There was an element of whiteness in faith and christian institutions that I didn't come across as prominently in some of my other readings, so it was interesting to learn about that perspective as. I have personally (but differently) felt oppression or injustice in organizations and have been "reprimanded" for speaking out about it. The tiredness and hopelessness is likely a universal feeling for many BIPOC, but I did find comfort in her description of living and loving in the shadow of hope—still engaging and showing up for justice, even when you have no idea if what you're doing is going to make a difference (i.e., keep working in the dark).
Doing nothing was no longer an option for me.
I finished reading the memoir in about 4 hours in one sitting, so topic aside, it was written very clearly and easy to move through the book at steady and interested pace!
Yakuza 3 and 4 (remastered, 2019-2020)
I blitzed through the plot in 4 days on easy mode. I only play easy mode. It was the first time I played with a gamepad (thanks Bea) so it took a lot of adjustment. I still can't click the right buttons to activate the correct moves because I don't have that muscle memory. I still play karaoke with keyboard because it's easier! I honestly don't know how people can play the series without starting from the beginning, since there is a lot of lore that you miss out on without the prior story (or substory) context.
There could be some vague spoilers below, so read at your own risk...
After playing more of these games I've come to notice the patterns in plot and fights, hahaha Naked men, rooftops, simultaneous matching punches/kicks/jumps, deception and betrayal, crying, conveniently timed yet selective gun shots, attempts to redeem bad guys, turning your back on the enemy and getting literally backstabbed, etc. All of these games need more MAJIMA GORO.
There was a literal and figurative "cop out" at the very beginning that was very disappointing, but I enjoyed the rest of the plot. I cried soooooo much, especially because of all the orphanage-related kid feelings (so raw!). The beginning is very much like a "dad" simulator, hehe. I spent a lot of time taking care of my kids. Tamashiro is the worst and I hate him!! I could've gotten more into Mine if he had more air time. The American's voice actor and pronunciation of "roof" as "ruff" was peculiar, as well as why anyone would tell a stranger that they have "beautiful eyes" when you just shot someone they knew?
I don't think I cried at all in Y4, but it felt like a longer game because of the rotation of playable characters. Akimiya's legs are so fast...I also feel like he is maybe the only one that really uses his brain, while Saejima and Kiryu have more bushido and gokudo-esque sense of "righteousness" which often results in brawn over brains. There was something about the distance between Tanimura's eyeballs that bothered me; he and Kiryu look more fake to me than Saejima and Akimiya! I wasn't convinced I could forgive Hamazaki after Y3 but he did the team a solid. I discovered that Katsuragi more or less is a Japanese-looking version of Lunge from Monster. Y4 resolves/brings together a lot of plot from Y0 and Kiwami 1-2. I thought Saejima's plot was the most interesting because of the historical nature of his story. I really despised the prison warden!
What's coming up next?
I have to slow down on reading/watching since I want to "finish" the HWAnimation snow scene in the next few months.
- Yakuza 5 (I finished this yesterday but I'll write about it in the next round-up)
- Minor Feelings by Cathy Hong Park (if it becomes available at the library)
I began mirroring posts from this freetalk, onto Pillowfort, but Pillowfort is down for a while! Thank goodness I have my own space...